Robert Frost was born in Francisco, but later his family relocated to Lawrence Massachusetts after his father’s death in 1884. This movement back to Lawrence was a return of Frost back to his ancestral land since his ancestors originated from New Englanders.
As such, Frost became famous for his poetry prowess by incorporating the themes and identities from New England locales (Baym 714).
Frost attended Lawrence High School and left in 1892 being the class poet. He stroked professional success two years later when the New York Independent accepted his poem “My Butterfly.” The poem helped Frost to launch his career as a professional poet where he received his first check of $15 (Baym 714). At the age of 40, Frost produced his first book and also won four Pulitzer Prizes. Frost became the most recognized poet of his time before he passed on aged 88 years (Gerber n.pag).
To celebrate his achievement, Frost privately printed a book of six poems, where only two copies were made (Gerber n.pag). The book was titled Twilight and one copy was for himself while the other one was for his fiancé. However, over the course of 8 years, he only managed to publish 13 poems. Nevertheless, during this time Frost made his habit to attend Dartmouth and Harvard where he was employed as a teacher. Later, he worked on a farm in Derry, New Hampshire (Dougherty n.pag). The American magazines constantly rejected his work that frustrated his efforts in poetry. As such, in 1912, he migrated his family to England where he also gained professional success.
The position of Frost in American letters was cemented by North of Boston publication and in the years preceding his death, many people perceived him as the unofficial poet laureate of the U.S (Gerber n.pag). During his 75th birthday, the U.S Senate honored him stating that “his poems have helped to shape and guide the American thought, wisdom, and humor” (DeNiord n.pag). The State of Vermont in 1955 went ahead to name a mountain after him in Ripton, where he was residing (Cirlot 314). Frost was also given the honor to read the presidential inauguration of John F. Kennedy.
Although Frost never leaned towards any literary school or movement, his imaginations did a lot to promote his American reputation. Therefore, every poem that Frost wrote is doubtlessly influenced by his personal history. Additionally, many people see his poems as a reflection of New England life (Burns 127). Despite his poems included in this research paper evoking a sense of his life and work, the depth of those landscapes is complicated than his reputation reveals (Richardson 446). Frost was a very private man and a subtle poet that exceeded expectations of most of his readers.
In conclusion, the ascetic view that is present in most of Frost’s poem are highlighted by the manner in which Frost uses words. The same way Frost portrays himself, a person can be isolated in a totally in a different universe, but he would still find influence from the natural universe. As such, Frost was looking at nature where he gained the metaphors of his condition. In the attempt to get a profound understanding of modern world, Frost concentrated on the paid much attention to when the seen met the unseen, and the spiritual met the tangible world.
Baym, Nina. “An Approach to Robert Frost’s Nature Poetry.” American Quarterly, vol. 17, no. 4, 1965, pp. 713-723. EBSCOhost.
Burns, Allan. “Thematic Guide to American Poetry.” Thematic Guide to American Poetry,
Greenwood Press, 2002, p. 127.
Cirlot, Juan Eduardo. “A Dictionary of Symbols, by J. E. Cirlot. ” A Dictionary of Symbols, by
J. E. Cirlot. Translated from Spanish by Jack Sage, Philosophical Library, 1971, p. 347.
DeNiord, Chard. “On Poetry: Frost, ‘Birches’ and the Sublime.” VNews, Valley News, 5 Oct.
Dougherty, James P. “Robert Frost’s ‘Directive’ to the Wilderness.” Twentieth-Century Literary Criticism, edited by Lawrence J. Trudeau, vol. 236, Gale, 2010. Literature Resource Center. Accessed 12 Nov. 2017
Gerber, Philip L. “Robert Frost.” Britannica.com, Encyclopedia Britannica Inc., 27 Oct. 2017.
Richardson, Mark. “Believing in Robert Frost: A Study of Authority in His Poetics.” Texas Studies in Literature and Language, vol. 37, no. 4, 1995, pp. 445–474
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