Michelangelo Buonarroti (or Mikelanolo di Lodovico di Lionardo di Buonarroti Simoni) (1475-1564) was one of the most amazing artists of the High and Late Renaissance in Italy and in the world. By the scale of his activities, he was a true generalist – a brilliant sculptor, a great painter, architect, poet, and thinker. Monumentality, plasticity dramatic tension in the images and worshiping human beauty were already evident in the early works of the master. His creations claim physical and spiritual beauty of a human being, his limitless creative possibilities
His being was possessed by a great passion and he was scary because he subordinated everything to this passion, showing no mercy to others or to himself. He knew what he wanted, and, as it happens even in the most wonderful people, he firmly believed that only his will is worthy of respect: that cherished goal was clear to him as to anyone else.
Along with Leonardo da Vinci and Raphael, Michelangelo made up a triad of the greatest luminaries who appeared on the horizon of art for the whole Christian era. He courted a loud, unfading glory in all three major areas of art, but he was a sculptor par excellence: the plastic element prevailed in his genius to such an extent that this element outshined his paintings and architectural compositions. He was the first sculptor ever to know the structure of the human body and implemented it in marble sculptures, showing the beauty of the human body.
The tragedy of Michelangelo was that he, a brilliant sculptor, who felt phenomenally marble, had to submit to the whims of patronizing popes and do painting, architecture, bronze casting and murals. But even in these areas, which was not peculiar to him, he manifested the true genius of the master. Unfortunately, many of his intentions and ideas have remained unfulfilled, a large number of his works has survived to the present day, and many of the projects had not been completed in his lifetime.
Michelangelo was one of the greatest sculptors, painters and the best of the greatest architects of his time, there was no other like him, who left such a rich heritage to future generations. All over the world, his name is associated with his fresco The Creation of Adam, the statues of David and Moses, ST. Peter’s cathedral in Rome.
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